'Soup Can Can't: Warhol and The Unraveling of Art' at the MAC

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Sculpture Milwaukee announces esteemed artist and gallerist John Riepenhoffnew as new executive director Orlando Museum accuses ex-leader of seeking profit from fake BasquiatsĮli Wilner & Company frames two important Monet paintings for the collection at Biltmore Houseįirst Thomas Demand retrospective in Israel now on viewĪ dormant dome for cinephiles is unsettling HollywoodĪuthors and booksellers urge Justice Department to investigate Amazon La Belle Epoque Auction House announces 'The Sizzling Summer' sale The exhibition has been organised with the help of Annely Juda Fine Art and is accompanied by an illustrated catalogue. Here, not only the times of day and season, but curves and colour give way to the interplay of horizontal and vertical – form, space, daylight and shadow – the rational and the intuitive. This exhibition traces the progress of Alan Reynolds’ work from the early landscapes to the tonal modular drawings and constructed white reliefs of the last quarter century. Reynolds’ engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer but also by Paul Klee and increasingly by Mondrian until depiction was firmly set aside in favour of the abstract.

The quest for equilibrium has been at the centre of Alan Reynolds’ art since he emerged from the Royal College of Art fifty years ago already fêted, as Bryan Robertson wrote, as ’the golden boy of post neo-romanticism in England.’ And man stands in between.’ Alan Reynolds quoted in the 1960s One has the sense of joy on the one hand and of tragedy on the other.

‘There always remains a sense of balance. CAMBRIDGE, UK.- Kettle’s Yard presents “Alan Reynolds,” on view through September 21, 2003.

Survivors the quest kettle